Name : Brian Truitt / Alias : USA Today
A lot of the actor's usual mercurial charm isn't used to full effect and is actually tempered when it doesn't feel like it should be.

Name : Jim Slotek / Alias : Toronto Sun
It's a movie that's half-over before it tells us what it's really about.

Name : Alan Scherstuhl / Alias : Village Voice
For every moment of desert beauty, or insight into the twilight economies that flourish in a war zone, there's a key scene that appears truncated or even missing.

Name : Manohla Dargis / Alias : New York Times
Cliched, enervating, insulting - it's tough to settle on a single pejorative for "Rock the Kasbah," though abysmal might do.

Name : Leah Greenblatt / Alias : Entertainment Weekly
Your enjoyment of all this will probably depend heavily on your willingness to let the words romp and Taliban coexist for approximately two hours.

Name : Joe Morgenstern / Alias : Wall Street Journal
"Rock the Kasbah" is the mausoleum where comedy was buried.

Name : Peter Travers / Alias : Rolling Stone
Rock the Kasbah goes fierce to quietly touching and back to funny again.

Name : Gary Goldstein / Alias : Los Angeles Times
An acclaimed film director, a legendary comic actor, lots of fun rock and pop songs, and a noble story at its core can't save "Rock the Kasbah" from being one hugely misguided dud.

Name : David Lewis / Alias : San Francisco Chronicle
Murray does his best to hold up the movie, but there's only so much he can do. Ultimately, his latest fish out of water never makes it back upstream.

Name : J. R. Jones / Alias : Chicago Reader
This dismal comedy, scripted by Murray's old pal Mitch Glazer (Scrooged), evinces only enough interest in Afghanis to keep the story rolling.

Name : Rafer Guzman / Alias : Newsday
An ongoing war is no setting for a musical comedy, especially one this glib and inane.

Name : Michael Phillips / Alias : Chicago Tribune
A white-savior showbiz fable of a particularly dubious and retrograde variety.

Name : Todd McCarthy / Alias : Hollywood Reporter
Rock the Kasbah morphs into a pretty implausible feel-good movie that's nearly as maudlin as it is unconvincing.

Name : Michael O'Sullivan / Alias : Washington Post
Levinson never seems to know what to point his camera at, or when to cut, and Glazer never seems to know when to leave a joke alone and let the cast work.

Name : Brad Wheeler / Alias : Globe and Mail
Not Murray's best and not Levinson's either.

Name : Joe Neumaier / Alias : TIME Magazine
Its music-industry gags sit awkwardly next to war-zone jokes and cultural quips, landing all involved on a peace train to nowhere.

Name : Mark Jenkins / Alias : NPR
Rock the Kasbah's timing is so slack, and its screenplay so shapeless, that the movie doesn't even rise to the level of an Afghan-war Stripes. It's almost as laugh-free as the latest news from Kunduz.

Name : Andrew Barker / Alias : Variety
Bill Murray heads to Afghanistan in director Barry Levinson's dreadfully misguided farce.

Name : Natalie Daher / Alias : Minneapolis Star Tribune
It fumbles a bit by prioritizing the goofy antics of its white cast over what turns out to be a smart depiction of non-Western life.

Name : Richard Roeper / Alias : Chicago Sun-Times
This movie is all over the place.

Name : Ty Burr / Alias : Boston Globe
If it were any worse, they'd be screening it as evidence at The Hague.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
Rock the Kasbah, does not rock at all - not even a little bit.

Name : Tasha Robinson / Alias : AV Club
A comedy that's openly afraid to seem too sincere or too mawkish, and doesn't fully commit either to its comedy or its uplift. Like Murray, it's wry and presented largely in air quotes, with an accompanying eye-roll.

Name : Stephen Whitty / Alias : Newark Star-Ledger
It needs a smarter script. It needs at least two or three perfectly engineered, joke-after-joke sequences. It needs a smart director - did you really do "Wag the Dog," Levinson? - whose idea of political satire goes beyond freshman-year sarcasm.

Name : Soren Anderson / Alias : Seattle Times
Murray, idiosyncratic as always, dominates, but his performance can't save this misconceived mess.

Name : Alonso Duralde / Alias : TheWrap
Bill Murray is Bill Murray is Bill Murray in a comedy that's little more than a schtick delivery system with some third-act personal growth thrown in for good measure.

Name : Lindsey Bahr / Alias : Associated Press
The movie wants to be both glib and emotionally resonant, but it can't seem to figure out what the stakes are - even as people are getting shot.

Name : Peter Howell / Alias : Toronto Star
Quite possibly [Murray's] worst movie ever.

Name : Randy Cordova / Alias : Arizona Republic
There might be a decent movie in here somewhere, if the focus had been on the right character.

Name : David Edelstein / Alias : New York Magazine/Vulture
As one-liner after one-liner misses its mark, you begin to feel sorry for Murray, who's really too old to be playing a guy who has a little daughter . and likes to get kinky with Kate Hudson as a raucous, Dolly Parton-style hooker-businesswoman.

Name : Steven Rea / Alias : Philadelphia Inquirer
Some projects are just too misguided for the star to mug and shrug his way out of. Consider Rock the Kasbah at the top, or the bottom, of that list.

Name : Spencer Kornhaber / Alias : The Atlantic
Just when the story beats start to feel unbearably obvious, the film changes keys, becoming less family dramedy than a concert film.

Name : Preston Jones / Alias : Fort Worth Star-Telegram/DFW.com
The film roars to life too intermittently.but, sadly, too much of Ricki and the Flash is just the same old song.

Name : Dana Stevens / Alias : Slate
The screenplay doesn't lack for memorable zingers, and thanks to Cody's script and Streep's performance, Ricki emerges as a complex, self-contradictory person (even if most of the supporting characters don't).

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
Quite a few filmgoers lament the shortage of movies for adults. "Ricki and the Flash" goes against that trend with rock 'n' roll attitude.

Name : Patrick Dunn / Alias : Detroit News
Streep may have just been looking for some variety and an Oscar. But why is Demme, the great director of "The Silence of the Lambs," wasting his time on this?

Name : Peter Rainer / Alias : Christian Science Monitor
Despite Streep's best efforts, Ricki seems more of a contrivance than a flesh-and-blood character.

Name : Lindsey Bahr / Alias : Associated Press
Ultimately, spending time with these people is pleasant, lived-in, honest and even thought-provoking. And when the dialogue stops, there's a fun, golden not-too-oldies live music soundtrack to hum along with too.

Name : Rafer Guzman / Alias : Newsday
Streep and Springfield make a surprisingly sweet pair of retirement-age rockers, but the scattered story line keeps losing the beat.

Name : Kenneth Turan / Alias : Los Angeles Times
Diablo Cody's dispiriting screenplay is all about everyone coming to love Ricki, faults and all, and that is just not convincingly done.

Name : Richard Roeper / Alias : Chicago Sun-Times
The skilled veteran Demme alternates dysfunctional family confrontations with easy comedy, expertly peppering in just the right rock tunes along the way. It's hard not to like Ricki, but the film makes no excuses for her actions.

Name : Scott Tobias / Alias : NPR
A warmth radiates through Ricki and the Flash like a song sung true. A film that adores its characters this much is sure to be adored in kind.

Name : Colin Covert / Alias : Minneapolis Star Tribune
Creating a film with solid drama beside good humor is tough. It's harder still to balance them against a complicated character so they don't sprawl lopsided, and to send the audience home feeling satisfied.

Name : Peter Howell / Alias : Toronto Star
Worth watching, and rocking to.

Name : Ty Burr / Alias : Boston Globe
"Ricki and the Flash" feels like "Stella Dallas" as remade by Jean Renoir - it's a humanist suburban fable.

Name : Susanna Schrobsdorff / Alias : TIME Magazine
Streep's latest mom role, as Ricki Rendazzo in Ricki and the Flash, has a light, Mamma Mia! vibe, but it still hits all those hot buttons.

Name : Ann Hornaday / Alias : Washington Post
It's a crowd-pleaser every bit as calculated and earnestly defanged as a Golden Oldies bus-and-truck tour. It's fun while it lasts, even if the Bic lighters stay safely pocketed at the end of the show.

Name : Tina Hassannia / Alias : Globe and Mail
Regardless of its flimsy emotional interior, Ricki is a worthy addition in this year's growing canon of strong female-centred films, and it would be wise to remember Streep's stunning performance come awards season.

Name : Alonso Duralde / Alias : TheWrap
An assemblage of almost-characters in an almost-story, resulting in a very disappointing almost-movie.

Name : Steven Rea / Alias : Philadelphia Inquirer
Demme has already made a messed-up family matrimonial get-together way better than this, with a way better screenplay than the one Juno writer Cody has tossed off.

Name : Amy Nicholson / Alias : L.A. Weekly
If only Demme had shot a scene of Ricki stubbing out a joint on a "Cathy" comic strip.

Name : Joe Morgenstern / Alias : Wall Street Journal
There are fleeting moments of real fun. Still, it's hard not to wonder why so much in the movie went so wrong.

Name : James Berardinelli / Alias : ReelViews
The movie is mature in the way it handles the regrets of absentee parents and the ways in which their children relate to them. There's a little Hollywood artifice here but not so much that the emotions feel inauthentic.

Name : Joe Neumaier / Alias : New York Daily News
The story here, like a lot of bar bands, goes loud to cover up mediocrity. When Streep sings, though, so does the film.

Name : Michael Phillips / Alias : Chicago Tribune
All good protagonists are contradictory tangles of experience and disappointment, but Cody is so tentative in her approach, nothing gathers steam or sticks in emotional terms.

Name : Peter Travers / Alias : Rolling Stone
Director Jonathan Demme, with music in his DNA, offers a heartfelt salute to those who play the underside of rock & roll because, well, they have to. Too bad the rest of the movie is dime-a-dozen family soap opera.

Name : David Edelstein / Alias : New York Magazine/Vulture
Ricki and the Flash swerves near stereotypes and swerves away at every turn.

Name : Stephen Whitty / Alias : Newark Star-Ledger
While there are some bright notes in Cody's writing, the situations feel a little tired, and the characters unexplored.

Name : Moira MacDonald / Alias : Seattle Times
Streep's performance, like lightning, jolts everything.

Name : Sheri Linden / Alias : Hollywood Reporter
Even with its well-observed moments, the movie's nonmusical interactions, whether reaching for laughs or poignancy, too often feel flat and forced.

Name : Leah Greenblatt / Alias : Entertainment Weekly
Ricki raises smart questions about why a mother's musical ambitions are so much more selfish than, say, seven-time dad Mick Jagger's, and even the shamelessly corny sing-along finale wrings a few real tears out.

Name : Sara Stewart / Alias : New York Post
The movie itself seems equally divided between the sensibilities of hyperverbal writer Diablo Cody and music-centric director Jonathan Demme, and ends up falling into a muddy gap between the two.

Name : A.O. Scott / Alias : New York Times
"Ricki and the Flash" seems like a squandered opportunity for this humane, curious and liberal-minded filmmaker to reflect on some uncomfortable realities. This isn't really rock 'n' roll. It's easy listening.

Name : Joshua Rothkopf / Alias : Time Out
Streep finds her way to the soul of several songs. There's devastating connection and tears in these moments: delicate gratitude in "Drift Away," nothing short of maternal redemption in a roaring version of Springsteen's "My Love Will Not Let You Down."

Name : Bill Goodykoontz / Alias : Arizona Republic
What might have been must be better than what's here, because what's here isn't much.

Name : Andrew Barker / Alias : Variety
This is a shaggy, easily distractible film that consistently defies expectations to both charming and baffling effect.

Name : J. R. Jones / Alias : Chicago Reader
The result is cold porridge.

Name : Ignatiy Vishnevetsky / Alias : AV Club
As in Demme's best early work (Handle With Care, Melvin & Howard), there is both an affection for a uniquely American type of oddball and a clear-eyed sense of their foibles.

Name : Wesley Morris / Alias : Grantland
The film, which Diablo Cody wrote and Jonathan Demme directed, is a work of bulk-size bogusness. Barely a single scene is convincing.

Name : Mick LaSalle / Alias : San Francisco Chronicle
If only Streep would have put down the microphone and let Springfield sing "Jessie's Girl," "Ricki and the Flash" might have had half a chance.